Spiral Stairs: Surreal Architectural Photography

surreal photography fine art photographic collage

At the core of this work of digital art is a winding stairway descending in a geometrically pleasing repetition reminiscent of the graceful curves within a chambered nautilus. This photographic art represents surreal architectural photography, focusing on a feature from the building’s interior.

The photographic collage pulls in natural elements with the transparent layer of bare gray tree branches deftly positioned over the pale stairway. Without closer inspection, the branches appear as a network of cracks in the stairs. The branching forms spread into the surrealistic digital art from the upper right, not reaching the center of the spiral. Do these represent an intrusion of a future vision where the stairs and enclosing building have crumbled to be replaced by forests? Or is this a desire to be free from the constraints of the man-made world?

As a work of surreal photography, this fine art collage combines three fractal forms, the elegantly curving organic form of the stairs, the branching trees, and the digitally cloned yellow and purple scaffolding into a mystical composition with its own logic and cohesion.

The colored lines form repeating geometric shapes resembling an inscribed star. These are in sharp contrast to the muted grays and weathered whites of the rest of the surreal photographic art piece. While on the stairs, the lines retain their shape but appear to be pulled to the center of the spiral in wisps of energy. Both the branches and architectural lines are transparently layered over the spiral stairway.

The view is straight down into the heart of the surrealistic spiral, and visual movement in this photographic art circles and descends into a swirling vortex. The very center of the spiral is obscured by the mass of purple and yellow lines flowing off the stairs and into the void below.

About Demi Pietchell

In addition to her work as an innovative artist, Demi Pietchell is an award-winning filmmaker with sixteen years of experience as a writer, producer, director, and media publicist. Pietchell’s work is personal and experimental, exploring the gaps between time and memory through the deconstruction of narrative, culture, myth, and media. Pietchell has written, directed, and produced seven shorts, including Relative Dysfunction (2003), Coney Island (2005), Fake in Front (2005) and Idolatry (2005). Her work has been shown domestically and internationally in festivals and exhibitions, with the honor of receiving Best Long Format Narrative Drama, DV Awards; Best Picture and Best Writing, Palm Beach Film Society Competition, Palm Beach International Film Festival; and the Grand and Silver Goldie Awards. With a fiscal sponsorship from the Independent Film Project (IFP), she is currently in post-production on her debut feature-length experimental documentary, 057 (2011), which explores the connection between trauma narrative and collective memory via ten years of mixed media documentation of a group of friends united by tragedy in their youth. Pietchell attended New York University, receiving both a BFA in Film and Television and an MPS in Interactive Telecommunications (ITP) from Tisch School of the Arts. View all posts by Demi Pietchell

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